Art of the North American Indians: The Thaw Collection
Seattle: University of Washington Press, 2000. First Edition. Hardbound. Published with the Fenimore Art Museum in Cooperstown New York.
Seattle: University of Washington Press, 2000. First Edition. Hardbound. Published with the Fenimore Art Museum in Cooperstown New York.
Los Angeles: Los Angeles County Museum of Art/Abrams, 1988. Hardcover. 128 pp. 89 illustrations [some color]; Notes. Select Bibliography. Twenty-five color plates each accompanied by commentary. Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., May 8-July 17, 1988; The Los Angeles County Museum of Art.....
Malibu: J. Paul Getty Museum, 2005. Softcover. A valuable resource.
New York: Museum of Modern Art [MOMA], 1980. Softcover. Catalog for a large retrospectiveÊ of the artist's works.Ê Includes essays and hundreds of color and black and white illustrations of his work.
Philadelphia: John C. Winston Co., 1924. Hardcover. 8vo. 509 pp. Limited edition. Illustrations, maps. Blue gilt cloth with gilt and red crest front board. Marked number 524 of an unspecified number of copies printed. This guidebook to the art, architecture, and historic interests of Pennsylvania was compiled before World War.....
Kšln Verlag der Buchhandlung Walther Kšnig, 1980. Hardcover. Softcover unpaginated with Sergej Tretjakov text pages that open up on the left and Rodchenko's images of paper cut out circus toys on the right. In German.
Charlottesville: University of Virginia Press, 1979. Hardcover. Hardcover. Dust Jacket Included. 8vo. 170 pp. Many illustrations. [some color]. Index. Proceedings of a Conference held in Boston May 8-10, 1975 Museum of Fine Arts, Boston, Massachusetts. Very Good with scattered foxing along the edges in a Very Good, lightly soiled dust.....
Bonn: Weidle, 1993. First Edition. Hardbound. Hardcover without dustacket as issued, 92 pages; in English and German.
Paris: Binoche, 1989. Hardcover. Andy Warhol and Pablo Picasso auction exhibition catalogs. Both housed in a pictorial slipcase. Jackets of the books have wrinkling, which seems to be the case with all copies.
Grenoble: Grenoble Centre National D'Art Contemporain, 1990. First Edition. Softcover. Inscribed and signed by the artist on the title page. Catalog for the Grenoble Exhibition May 19 to July 29, 1990 with various illustrations available. Text in French language.
Wellesley: Wellesley College, 1978. First Edition. Softbound. Book published in conjunction with The Exhibition Celebrating the Centennial of Wellesley College.
New York: Anne Patt, C2010. Softcover. 9" x 12" black and white linocut of the New York City skyline. 15" x 28" mounted and framed. Exhibited at the Salmagundi Club in New York.
New York: Phaidon, 2013. First Edition. Hardcover. 335 pp. First printing; first edition; text in English; profusely illustrated oversize coffee-table format. The art cities of the future include: Beirut; Bogotá; Cluj; Delhi; Istanbul; Johannesburg; Lagos; San Juan; São Paulo; Seoul; Singapore; and Vancouver.
Barcelona and Indianapolis: Fundaci— Antoni Tapies and Indiana University Press, 2011. Hardcover. 8vo., 745 pp. Tapies, reflects on art, life, and politics. A companion to A Personal Memoir [2009]), this volume includes essays published in Catalan in six separate books between 1970 and 1999 [The Practice of Art, Art against.....
Barcelona and Indianapolis: Fundaci— Antoni Tˆpies and Indiana University Press, 2009. Hardcover. 8vo., 429 pp. First edition in English. Illustrated throughout mainly in black and white, with color illustrations at rear.
New York: Viking, 1938. Hardcover. Thick 8vo. 561 pp.Ê Twenty [20] plates [incl. frontis., four [4] color rest double-sided], bibliography. index.
Philadelphia: Association for Public Art, 2022. Softcover. Square 8vo. 72 pp. Illustrated. The Association for Public Art [aPA, formerly the Fairmount Park Art Association] was established in 1872 and is the nation's first private, nonprofit civic organization dedicated to creating a 'museum without walls' by integrating public art and urban.....
Birmingham: Oxmoor, 1986. First Edition. Softbound. Full color and full page illustrations of masterworks from the museum's collection, accompanied by detailed cataloguing and analysis. Works by Georgia O'Keeffe, Stuart Davis, Marsden Hartley, Martin Johnson Heade, John Frederick Kensett, Mary Cassatt, Winslow Homer, Grant Wood, Charles Russell, Frederic Remington, John Frederick.....
London: Century, 2006. Softcover. Profusely Illustrated. Later printing; 207 pages. Illustrated in color throughout.
New York: Abrams, 1997. Hardcover. Photographs By Courtney Frisse. American art pottery, whose heyday spanned the late 1880s through the late 1920s, has endured as one of the country's most popular styles inn ceramic design. Today, it is a highly sought-after collectible. For this book, Perry, former curator of ceramics.....
New York: Harry Abrams, 1998. Hardcover. 4to. 136 pp. Color illustrated with 100 color photographs. Presents imaginative displays of fresh flowers within the galleries and period rooms of The Metropolitan Museum of Art in New York City.
New York: Rizzoli International, 2022. Hardback. 336 pages, including 250 color plates. 4to, cloth. Including cloth book bag acquired at the exhibition. This volume tells the story of Jean-Michel Basquiat from the intimate perspective of his family, intertwining his artistic endeavors with his personal life, influences, and the times in.....
New York: Vintage/Random House, 1957. Softcover. 12mo., 151 pp. Illustrated with 34 drawings by the author. Eleanor Hazard [illustrator]. First Vintage edition, based on a series of lectures delivered by Ben Shahn. Considered a classic in the field of art, philosophy and history. Illustrations by the author.
Cleveland and New York: Meridian/World, 1962. Softcover. 4to., 326 pp. Later printing. With black and white illustrations.
Berlin: Die Gestalten Verlag, 2011. Softcover. Flexicover, 160 pp., full color, including an index. In recent years, the boundaries between art and design have become more and more blurred. Today, it is not the object itself, but rather its economic functionality that determines its categorization. Astonishingly, it is often customs.....